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&#13;
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&#13;
Whenever historical or explanatory information is available, it should be included here as well. This includes information about items or events that are larger than just the map itself; for example, information about cartographers, a description of the map's historical significance (for example, "This is the first printed map of Saratoga Springs"), notes on the laws leading to a map's creation, descriptions of changes in state or county lines, information about the organization that created the map, how often maps were updated, and information about the map's creation and publication. Many State Archives maps have historical information in the catalog record -- that should be captured in this field.</description>
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&#13;
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&#13;
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&#13;
Some of these terms are less specific than others and may warrant expansion in the Abstract field. For example, the "Businesses" term might be included here while the Abstract notes that the map shows mills and stores. Multiple terms can be used in this field.</description>
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North Dakota</text>
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&#13;
For maps: for major geographic locations depicted on the map, followed, in nearly every case, by the "Maps" genre subheading. (For example, "Saratoga Springs (N.Y.) -- Maps.") This field will be especially important when the records from this collection are incorporated into larger databases and catalogs.</description>
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            <name>Title</name>
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Cooking, American&#13;
Cooking, International&#13;
Radio Stations</text>
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                <text>Barr, Tom (Station Manager)</text>
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                <text>This cookbook from the AM/FM station &lt;a href="https://kfyr.iheart.com/" title="KFYR Radio"&gt;KFYR&lt;/a&gt; offers, in the words of station manager Tom Barr, recipes from 'over 40 different lands... supplied by listeners from KFYRLAND.' Luella Travel of Linton, North Dakota won the 'name the cookbook' contest. In 1969, the station was AM/FM. In 2025, it's still on the air (AM only) and online, &lt;a href="https://en.wikipedia.org/wiki/KFYR_(AM)"&gt;celebrating its centennial&lt;/a&gt;, on AM, playing music, presenting the news and sports, and sponsoring an Agricultural Show in Bismarck with over 7500 expected in February 2026. &lt;br /&gt;&lt;br /&gt;The world in 1969, at least as represented in the cookbook, was largely European (at least as far as the Table of Contents was concerned). The first section of American Recipes was about 20% of the book, with only "Oriental Recipes" (pp 84-87) and Mexican Recipes (pp 74-76) named. "Misc. Recipes from Many Different Countries" at the end (pp 97-110) was still largely European recipes, with a few less-familiar cuisines from Armenia and Bulgaria, as well as some from the Middle East and Australia. For the home cook, a few pages for "Personal Recipes" concluded the volume. &lt;br /&gt;&lt;br /&gt;Who were the listeners who wrote in? In large part they were women, identified as wives rather than individuals, primarily by their husband's name (Scones, Australia - Mrs. Merton Lenihan, Baldwin, N. Dak), and more rarely their own Chicken and Equsi (Africa) - Mrs. Beulah M. Hill, Turtle Lake, N. Dak.,) A very few (presumably) unmarried women wrote in (Savory Rice (Brazil) - Cheryl Petryzak, Grassy Butte, N. Dak.) and the occasional man (Green Beans &amp;amp; Rice (Lebanese) - Ed George, P.O. Box 216, Ft. Yates, N. Dak. and Fouja Djedjad (Persia) - Arthur Anderson, Carrington, N. Dak.) (all pp. 96-106). &lt;br /&gt;&lt;br /&gt;Regardless of who they were, few names seem to correlate directly with the cuisine in the recipe. So how did these recipes make it to North Dakota? Did a soldier bring a recipe back from deployment? Did a curious home cook test out and then adopt and adapt another culture's recipe and so decide to recommend it? &lt;br /&gt;&lt;br /&gt;Over fifty years later, it might take some serious sleuthing to find an answer. What is clear is that KFYR hoped readers would use the recipes. Before the first recipe, a table of equivalents offered cooks guidance on converting volumes (cups, squares) to other units -- numbers of egg whites or egg yolks, chocolate squares, to cups and ounces.&lt;br /&gt;&lt;br /&gt;Tom Barr received the North Dakota Broadcast Assocation "Pioneer" award in 2001, when he was station manager of KFYR-TV. (&lt;a href="https://www.ndba.org/files/pioneers/"&gt;NDBA.org&lt;/a&gt;)</text>
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North Dakota</text>
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            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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                <text>&lt;a href="https://archive.org/details/kfyrradio550bismarckaroundtheworldcookbook1969/mode/2up"&gt;Internet Archive&lt;/a&gt;. &lt;br /&gt;&lt;a href="https://archive.org/details/kfyrradio550bismarckaroundtheworldcookbook1969/mode/2up"&gt;https://archive.org/details/kfyrradio550bismarckaroundtheworldcookbook1969/mode/2up&lt;/a&gt;&lt;br /&gt;Uploaded to the Internet Archive by member '&lt;a href="https://archive.org/details/@scearley"&gt;scearley&lt;/a&gt;,' who has uploaded multiple cookbooks to the archive.</text>
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                <text>Bismarck, N.D. radio station KFYR has published what seems to be an annual collection of listener-provided recipes as a cookbook, each with a different theme.  Worldcat gives a flavor of some other years' tastes: KFYR Cookbook: Way to a man's heart (1968), KFYR radio cookbook (1970) with "favorite recipes of government, industry, and entertainment leaders from North and South Dakota, plus recipes from the white house." The 75h anniversary cookbook appeared in 2000.</text>
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                <text>A newspaper clipping of Mrs. Arthur Vokes during her directorship at the Senior Center.  In this image, Mrs. Vokes is sharing a project made at the center.</text>
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          <description>Name of the repository that holds the original item.</description>
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          <description>Tiered geographical location (for example: United States, New York State, Saratoga County, Saratoga Springs, Congress Park).  This field is here for two reasons: first, to present, at its narrowest level, the scope of the entire item (in other words, not every place name has to be listed here). Second, this field will allow for accurate and helpful narrowing and broadening of geographic searches.</description>
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              <text>County</text>
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          <name>Record Contributor</name>
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                <text>Maps from Saratoga County Communities: An Historic Perspective</text>
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            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <name>Description</name>
            <description>An account of the resource</description>
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                <text>Three maps drawn for a book commemorating the architectural heritage of the towns of Saratoga County, NY: &#13;
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[Kayaderosseras Patent] &#13;
[Indian Trails]</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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                <text>eng</text>
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            <name>Subject</name>
            <description>The topic of the resource</description>
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                <text> 	&#13;
&#13;
    Saratoga County (N.Y.) -- History, Local.&#13;
    Historic sites -- New York (State) -- Saratoga County -- Guidebooks.&#13;
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            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
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                <text>Saratoga County Planning Board &#13;
Jan Johnstone, author &#13;
Valerie Collins, graphics</text>
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            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
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                <text>physical book</text>
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            <name>Type</name>
            <description>The nature or genre of the resource</description>
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            <name>Coverage</name>
            <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                <text>Saratoga County</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>Sponsored by National Endowment for the Arts, Saratoga County Board of Supervisors, Saratoga County Bicentennial Commission ; prepared by </text>
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        <name>map</name>
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        <name>Saratoga County</name>
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                  <text>Mapping Saratoga Springs</text>
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              <name>Date</name>
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                  <text>1700-</text>
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      <name>Map</name>
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          <name>Creator - Individual</name>
          <description>Name of the person or people responsible for creating the item.</description>
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              <text>Murphy &amp; Kren Planning Associates Inc.</text>
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        <element elementId="107">
          <name>Related Item</name>
          <description>If the item is a part of a book or a manuscript or archival collection, that should be noted here. Think of this field as the "parent item" or "parent collection". Entries in this field should generally be written as full citations.</description>
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              <text>1970 Core Area Development Map, 1971 Core Area Development Map</text>
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        <element elementId="101">
          <name>Date Depicted (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the content date field that will display.</description>
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          <name>Date Depicted (Numeric)</name>
          <description>Date that the information on the item depicts. In many cases, this will be the same date as that in the date field, but there will be exceptions. For example, a historical map drawnin 1890 might show Saratoga Springs as it was in 1820. Or, the information on the map itself might include detailed information that enables us to extrapolate a date, for example, "based on a survey done in 1841." Many State Archives map catalog records refer to this as the "situation date."</description>
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              <text>1971</text>
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        <element elementId="99">
          <name>Date Published (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the date field that will display.</description>
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              <text>1971</text>
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        <element elementId="98">
          <name>Date Published (Numeric)</name>
          <description>Date the item was printed. This will be set as a date field, accommodating only numbers. The field will be able to handle single dates or date ranges. This will not display, but will be indexed and searchable.</description>
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              <text>1971</text>
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          <name>Caption</name>
          <description>This field will include transcriptions of text that appears on or around the item, at the discretion of the cataloger. It should include relevant bibliographic information that is not given in the title, for example, "Top of map: 'EXAMPLE NEEDED' Publisher and printer information might also be included in this field: "EXAMPLE NEEDED.'" Note that the location of the printed text is given in the field itself and that the caption information is always included in quotes.</description>
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              <text>Core Area, May 1970, adopted by February 1971 &#13;
Outer Area Map, Revised June 17, 1971 and adopted by the City Council on July 7, 1971.  (colored)</text>
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        <element elementId="108">
          <name>Related Maps</name>
          <description>There will be many cases where multiple maps are in effect only slight variations on a single original. If we are certain, or even pretty sure, that one map is just a slightly altered version of another,the related versions should be listed here.</description>
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              <text>1970 and 1971 Core Area Development Maps</text>
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          <name>Repository</name>
          <description>Name of the repository that holds the original item.</description>
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              <text>Saratoga Room, Saratoga Springs Public Library</text>
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          <name>Theme</name>
          <description>For browsing purposes, we are borrowing and adapting themes from the Library of Congress's American Memory project.</description>
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              <text>Property and Development</text>
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          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
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              <text>Jordana Dym&#13;
Emily Sloan</text>
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        <element elementId="120">
          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
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              <text>12/2/2014</text>
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          <name>Abstract (&amp; Historical Note)</name>
          <description>Natural language description of the map itself, providing a general summary of the map and noting significant features. &#13;
&#13;
This is the place to introduce keywords and proper names that might be of interest to researchers, but do not warrant a separate subject heading of their own. Inset maps should also be described here, with their full titles given.&#13;
&#13;
Whenever historical or explanatory information is available, it should be included here as well. This includes information about items or events that are larger than just the map itself; for example, information about cartographers, a description of the map's historical significance (for example, "This is the first printed map of Saratoga Springs"), notes on the laws leading to a map's creation, descriptions of changes in state or county lines, information about the organization that created the map, how often maps were updated, and information about the map's creation and publication. Many State Archives maps have historical information in the catalog record -- that should be captured in this field.</description>
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              <text>In 1970, the City Planning Board worked with Murphy &amp; Kren Planning Associates, Inc. on a map and report for the New York State Department of Commerce Bureau making recommendations for a 20-year development plan that identified Cady Hill and the area by I-87 as places to grow industry, and Geyser Crest and the West Side as targets for residential development. This plan, financially aided by federal and state funds, was adopted by the city council in February 1971.&#13;
&#13;
This map includes more kinds of land use than in 1937 (seasonal, high and medium density residential, commercial; industrial; parks; public/semi-public; track), but the overall thrust is the same. The Murphy &amp; Kren map highlights development interests beyond Broadway’s axis and the corporation line “inner” district and the report underlines the need for schools to be integrated in new neighborhoods.</text>
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            <name>Title</name>
            <description>A name given to the resource</description>
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                <text>Outer Area Zoning Map and Core Area Zoning Map</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1970</text>
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                <text>Murphy &amp; Kren Planning Associates Inc.</text>
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                <text>A zoning map of Saratoga Springs' core and outer areas.</text>
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            <name>Language</name>
            <description>A language of the resource</description>
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            <name>Subject</name>
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                <text>Saratoga Springs (N.Y.)--Maps</text>
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            <description>An entity responsible for making contributions to the resource</description>
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                <text>City of Saratoga Springs City Planning Board</text>
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            <name>Abstract</name>
            <description>A summary of the resource.</description>
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                <text>This planning map shows that city planners in Saratoga Springs continued to focus on development and expansion throughout the 1970s. The map intends to draw businesses and investors into the area.</text>
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                <text>“Outer Area Zoning Map and Core Area Zoning Map,” Skidmore Saratoga Memory Project, accessed March 23, 2015, http://ssmp.skidmore.edu/items/show/160.</text>
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                <text>Saratoga Room, Saratoga Springs Public Library</text>
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                  <text>Mapping Saratoga Springs</text>
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            </element>
            <element elementId="40">
              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
              <elementTextContainer>
                <elementText elementTextId="5031">
                  <text>1700-</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="18">
      <name>Map</name>
      <description>Cartographic document</description>
      <elementContainer>
        <element elementId="95">
          <name>Creator - Individual</name>
          <description>Name of the person or people responsible for creating the item.</description>
          <elementTextContainer>
            <elementText elementTextId="2321">
              <text>Murphy B. Kren, Planning Associates, Inc</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="96">
          <name>Creator - Organization</name>
          <description>Company, government agency, or other organization responsible for creating the item (the publisher should not be listed again here unless the same organization had a role other than that of publisher in sponsoring or creating the map).</description>
          <elementTextContainer>
            <elementText elementTextId="2322">
              <text>Saratoga Springs, City of</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="107">
          <name>Related Item</name>
          <description>If the item is a part of a book or a manuscript or archival collection, that should be noted here. Think of this field as the "parent item" or "parent collection". Entries in this field should generally be written as full citations.</description>
          <elementTextContainer>
            <elementText elementTextId="2323">
              <text>Source: June 1967 City Map prepared by Coulter B. McCormack for the City of Saratoga Springs</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="101">
          <name>Date Depicted (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the content date field that will display.</description>
          <elementTextContainer>
            <elementText elementTextId="2324">
              <text>1971</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="100">
          <name>Date Depicted (Numeric)</name>
          <description>Date that the information on the item depicts. In many cases, this will be the same date as that in the date field, but there will be exceptions. For example, a historical map drawnin 1890 might show Saratoga Springs as it was in 1820. Or, the information on the map itself might include detailed information that enables us to extrapolate a date, for example, "based on a survey done in 1841." Many State Archives map catalog records refer to this as the "situation date."</description>
          <elementTextContainer>
            <elementText elementTextId="2325">
              <text>1971</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="99">
          <name>Date Published (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the date field that will display.</description>
          <elementTextContainer>
            <elementText elementTextId="2326">
              <text>1971</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="98">
          <name>Date Published (Numeric)</name>
          <description>Date the item was printed. This will be set as a date field, accommodating only numbers. The field will be able to handle single dates or date ranges. This will not display, but will be indexed and searchable.</description>
          <elementTextContainer>
            <elementText elementTextId="2327">
              <text>1971</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="102">
          <name>Caption</name>
          <description>This field will include transcriptions of text that appears on or around the item, at the discretion of the cataloger. It should include relevant bibliographic information that is not given in the title, for example, "Top of map: 'EXAMPLE NEEDED' Publisher and printer information might also be included in this field: "EXAMPLE NEEDED.'" Note that the location of the printed text is given in the field itself and that the caption information is always included in quotes.</description>
          <elementTextContainer>
            <elementText elementTextId="2328">
              <text>Revised: 6/17/71&#13;
Adopted City Council Meeting: 7/7/71&#13;
&#13;
Date: May 1970&#13;
The preparation fo this map for the New York State Office of Planning Coordination was financially aided through a federal grant from the US Department of Housing and Urban Development and in aprt by the State of New york under the comp Planning Assistance Program Authorized by Section 70 of the Housing Act of 1954, as amended.  &#13;
&#13;
Zoning areas include: Conservancy , single and two family and multi-family residences, central business, planned business and light and planned industry.</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="118">
          <name>Repository</name>
          <description>Name of the repository that holds the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="2329">
              <text>Saratoga Room, Saratoga Springs Public Library</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="117">
          <name>Scope</name>
          <description>Tiered geographical location (for example: United States, New York State, Saratoga County, Saratoga Springs, Congress Park).  This field is here for two reasons: first, to present, at its narrowest level, the scope of the entire item (in other words, not every place name has to be listed here). Second, this field will allow for accurate and helpful narrowing and broadening of geographic searches.</description>
          <elementTextContainer>
            <elementText elementTextId="2330">
              <text>City</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="110">
          <name>Type</name>
          <description>For Maps: This subject field describes the purpose of the map. This is a controlled-vocabulary field using terms developed for this project. It is important to note that Map Theme and Map Type are not hierarchical, thus it is possible to have the two fields overlap or even duplicate each other. In determining the purpose of the map, the cataloger should consider the publisher, and, (if known) original use of the map. For example, a map that shows a wide variety of information might be a candidate for General in the map_type field, however, if it was prepared by the state geologist and contains, in addition to everything else, substantial information about the geology and topography of the state, it would be classified as a Geological map. Multiple terms can be used in this field.</description>
          <elementTextContainer>
            <elementText elementTextId="2331">
              <text>City Plan</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="109">
          <name>Theme</name>
          <description>For browsing purposes, we are borrowing and adapting themes from the Library of Congress's American Memory project.</description>
          <elementTextContainer>
            <elementText elementTextId="2332">
              <text>Property and Development</text>
            </elementText>
            <elementText elementTextId="2333">
              <text>Environment and Conservation</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="119">
          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
          <elementTextContainer>
            <elementText elementTextId="2334">
              <text>Jordana Dym</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="120">
          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
          <elementTextContainer>
            <elementText elementTextId="2335">
              <text>12/2/2014</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2319">
                <text>Core Area Zoning Map, City of Saratoga SPrings City Planning Board</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2320">
                <text>1971</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="245">
        <name>map</name>
      </tag>
    </tagContainer>
  </item>
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    <fileContainer>
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    </fileContainer>
    <collection collectionId="28">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="4248">
                  <text>Adult and Senior Center of Saratoga</text>
                </elementText>
              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="118">
          <name>Repository</name>
          <description>Name of the repository that holds the original item.</description>
          <elementTextContainer>
            <elementText elementTextId="5099">
              <text>Saratoga Adult and Senior Center (Saratoga Springs, N.Y.)</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="119">
          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
          <elementTextContainer>
            <elementText elementTextId="5101">
              <text>P. Radcliffe</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="120">
          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
          <elementTextContainer>
            <elementText elementTextId="5102">
              <text>6/12/16</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5094">
                <text>1973</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="63">
            <name>Date Issued</name>
            <description>Date of formal issuance (e.g., publication) of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="5095">
                <text>9/16/73</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5096">
                <text>Concentration</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="5097">
                <text>The Saratogian</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="5098">
                <text>Newspaper article</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="56">
            <name>Abstract</name>
            <description>A summary of the resource.</description>
            <elementTextContainer>
              <elementText elementTextId="5100">
                <text>3 seniors playing cards**</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="510">
        <name>activity</name>
      </tag>
      <tag tagId="509">
        <name>cards</name>
      </tag>
      <tag tagId="508">
        <name>game</name>
      </tag>
      <tag tagId="511">
        <name>saratoga senior center</name>
      </tag>
      <tag tagId="506">
        <name>senior citizens</name>
      </tag>
      <tag tagId="507">
        <name>seniors</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="383" public="1" featured="0">
    <fileContainer>
      <file fileId="1061">
        <src>https://www.ssmp.mdocs.skidmore.edu/files/original/dfe1982a31c9fabdf32d987d23be08ef.JPG</src>
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    </fileContainer>
    <itemType itemTypeId="15">
      <name>Physical Object</name>
      <description>An inanimate, three-dimensional object or substance. Note that digital representations of, or surrogates for, these objects should use Moving Image, Still Image, Text or one of the other types.</description>
      <elementContainer>
        <element elementId="119">
          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
          <elementTextContainer>
            <elementText elementTextId="4574">
              <text>D.Stephenson</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="120">
          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
          <elementTextContainer>
            <elementText elementTextId="4575">
              <text>05/12/2016</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4516">
                <text>My Father's Shoes</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4517">
                <text>1976</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4548">
                <text>These are a pair of shoes given to me by my father. Years ago when he was looking through his old things he stumbled upon these. These shoes were acquired by him when he was about 18 making them at least 40 years old. My dad got these shoes from his family run department store which he dreamed of taking over. After college my dad did take over these stores for some time and moved on to a different job years later. These shoes are meaningful to me because they meant a lot to my father and he took such good care of them that he could pass them on to me 40 years later.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="42">
            <name>Format</name>
            <description>The file format, physical medium, or dimensions of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="4549">
                <text>Leather</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
    <tagContainer>
      <tag tagId="453">
        <name>Apparel</name>
      </tag>
      <tag tagId="420">
        <name>clothing</name>
      </tag>
      <tag tagId="259">
        <name>family</name>
      </tag>
      <tag tagId="436">
        <name>father</name>
      </tag>
      <tag tagId="455">
        <name>memories</name>
      </tag>
      <tag tagId="454">
        <name>momento</name>
      </tag>
      <tag tagId="419">
        <name>shoes</name>
      </tag>
    </tagContainer>
  </item>
  <item itemId="678" public="1" featured="0">
    <fileContainer>
      <file fileId="1468">
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    <collection collectionId="28">
      <elementSetContainer>
        <elementSet elementSetId="1">
          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="4248">
                  <text>Adult and Senior Center of Saratoga</text>
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              </elementTextContainer>
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    </collection>
    <itemType itemTypeId="6">
      <name>Still Image</name>
      <description>A static visual representation. Examples include paintings, drawings, graphic designs, plans and maps. Recommended best practice is to assign the type Text to images of textual materials.</description>
      <elementContainer>
        <element elementId="7">
          <name>Original Format</name>
          <description>The type of object, such as painting, sculpture, paper, photo, and additional data</description>
          <elementTextContainer>
            <elementText elementTextId="6516">
              <text>photograph</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="119">
          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
          <elementTextContainer>
            <elementText elementTextId="6517">
              <text>J. Dym</text>
            </elementText>
          </elementTextContainer>
        </element>
        <element elementId="120">
          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
          <elementTextContainer>
            <elementText elementTextId="6518">
              <text>26/05/2017</text>
            </elementText>
          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6512">
                <text>[Groundbreaking of the 5 Williams Street Center]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6513">
                <text>1977</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="41">
            <name>Description</name>
            <description>An account of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6514">
                <text>A selection of photographs and newspaper article clippings in the Center's collections related to breaking ground on the new center.</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6515">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
        </elementContainer>
      </elementSet>
    </elementSetContainer>
  </item>
  <item itemId="680" public="1" featured="0">
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          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="4248">
                  <text>Adult and Senior Center of Saratoga</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
        <elementContainer>
          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6525">
                <text>'[Aerial view of 5 Williams Street, new senior center]</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="6526">
                <text>1978</text>
              </elementText>
            </elementTextContainer>
          </element>
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  </item>
  <item itemId="653" public="1" featured="0">
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          <name>Dublin Core</name>
          <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
          <elementContainer>
            <element elementId="50">
              <name>Title</name>
              <description>A name given to the resource</description>
              <elementTextContainer>
                <elementText elementTextId="4248">
                  <text>Adult and Senior Center of Saratoga</text>
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              </elementTextContainer>
            </element>
          </elementContainer>
        </elementSet>
      </elementSetContainer>
    </collection>
    <itemType itemTypeId="1">
      <name>Text</name>
      <description>A resource consisting primarily of words for reading. Examples include books, letters, dissertations, poems, newspapers, articles, archives of mailing lists. Note that facsimiles or images of texts are still of the genre Text.</description>
      <elementContainer>
        <element elementId="120">
          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
          <elementTextContainer>
            <elementText elementTextId="6317">
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            <name>Identifier</name>
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            <description>A name given to the resource</description>
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                <text>Valentine's Party</text>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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            <description>An account of the resource</description>
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                <text>A photograph from a Valentine's Day party at the Center</text>
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            <name>Provenance</name>
            <description>A statement of any changes in ownership and custody of the resource since its creation that are significant for its authenticity, integrity, and interpretation. The statement may include a description of any changes successive custodians made to the resource.</description>
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        <name>Saratoga Springs</name>
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            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <text>1991</text>
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                <text>Brookside Museum</text>
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        <name>dairy</name>
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        <name>industry</name>
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        <name>milk</name>
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                    <text>Africae nova descriptio</text>
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                <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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                <name>Description</name>
                <description>An account of the resource</description>
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                    <text>"Cum privilegio ad decennium." Relief shown pictorially. Map contained within illustrated frame. Nine city views across top of map: Tanger, Ceuta, Alger, Tunis, Alexandria, Alcair, Mozambique, S. Georgius della Mina, Canaria. Includes descriptive text (4 p.) on verso and on two sides of an attached sheet. (Description from: Northwestern University Library)</text>
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                <name>Language</name>
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                    <text>eng</text>
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                <name>Creator</name>
                <description>An entity primarily responsible for making the resource</description>
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                    <text>Blaeu, Willem Janszoon</text>
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                <name>Type</name>
                <description>The nature or genre of the resource</description>
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                    <text>map</text>
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              <element elementId="38">
                <name>Coverage</name>
                <description>The spatial or temporal topic of the resource, the spatial applicability of the resource, or the jurisdiction under which the resource is relevant</description>
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                    <text>Africa</text>
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                <name>Rights Holder</name>
                <description>A person or organization owning or managing rights over the resource.</description>
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                    <text>Northwestern University, &lt;a title="Blaeu, 1635, Africa" href="http://fedora.library.northwestern.edu/fedora/get/inu:inu-afrmap-3805125/inu:NWUCollectionBDef/getDefaultView"&gt;16th-20th Century Maps of Africa&lt;/a&gt;</text>
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              <name>Title</name>
              <description>A name given to the resource</description>
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                  <text>Mapping Saratoga Springs</text>
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              <name>Date</name>
              <description>A point or period of time associated with an event in the lifecycle of the resource</description>
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      <name>Map</name>
      <description>Cartographic document</description>
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        <element elementId="118">
          <name>Repository</name>
          <description>Name of the repository that holds the original item.</description>
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              <text>Saratoga Room, Saratoga Springs Public Library</text>
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        <element elementId="101">
          <name>Date Depicted (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the content date field that will display.</description>
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              <text>1996</text>
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        <element elementId="99">
          <name>Date Published (Display)</name>
          <description>Text version of the date field -- can handle non-numeric characters (ca. 1850s, [1844]). This is the date field that will display.</description>
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              <text>1996</text>
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        </element>
        <element elementId="102">
          <name>Caption</name>
          <description>This field will include transcriptions of text that appears on or around the item, at the discretion of the cataloger. It should include relevant bibliographic information that is not given in the title, for example, "Top of map: 'EXAMPLE NEEDED' Publisher and printer information might also be included in this field: "EXAMPLE NEEDED.'" Note that the location of the printed text is given in the field itself and that the caption information is always included in quotes.</description>
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              <text>"Feather in top right corner: 'Sarah-to-ga' -'hillside country of the great river': The Mohawk tribe named this area for its proximity to the Hudson River.'"</text>
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        <element elementId="121">
          <name>Abstract (&amp; Historical Note)</name>
          <description>Natural language description of the map itself, providing a general summary of the map and noting significant features. &#13;
&#13;
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&#13;
Whenever historical or explanatory information is available, it should be included here as well. This includes information about items or events that are larger than just the map itself; for example, information about cartographers, a description of the map's historical significance (for example, "This is the first printed map of Saratoga Springs"), notes on the laws leading to a map's creation, descriptions of changes in state or county lines, information about the organization that created the map, how often maps were updated, and information about the map's creation and publication. Many State Archives maps have historical information in the catalog record -- that should be captured in this field.</description>
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              <text>This colorful pictorial puzzle map, assembled by Saratoga Springs Public Library staff members, captures the essence of late twentieth-century Saratoga Springs tourism. The city invites visitors to enjoy its history, recreation, and local businesses. Reading from top to bottom draws viewers from past to present, starting with the Spa City’s Native American origin story, largely absent in nineteenth-century tourist maps. At the bottom, vignettes highlight Saratoga Springs’ summer offerings: the arts (SPAC), horses (racetrack), history (the Battle of Saratoga), and relaxation. The city’s traditional “health” component is harder to find in this map.&#13;
&#13;
Although a modern artist’s rendering— as much illustration as map –- this depiction draws on well-known cartographic traditions. Placing a ring of images around the central map traditionally includes additional information, often city plans or people “types” in early modern maps such as Willem Blaeu’s Africa (1635). In the White Mountain map, the outer row, tinted a coppery color, evokes nineteenth-century city founders, key citizens, jockeys, and architecture. The inner row offers a series of advertisements for companies that (not so surprisingly) appear on the map.</text>
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        <element elementId="97">
          <name>Publisher</name>
          <description>Publisher of the item, or of the book or atlas in which it appears.</description>
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            <elementText elementTextId="1766">
              <text>White Mountain Puzzle, Inc.</text>
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          </elementTextContainer>
        </element>
        <element elementId="53">
          <name>Place of Publication</name>
          <description>The city (and if necessary) state or country of publication.</description>
          <elementTextContainer>
            <elementText elementTextId="1767">
              <text>Jackson, N.H.</text>
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        <element elementId="119">
          <name>Record Contributor</name>
          <description>Individual who prepared the item and/or edited it.</description>
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              <text>Deirdre Schiff</text>
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          </elementTextContainer>
        </element>
        <element elementId="120">
          <name>Record Creation Date</name>
          <description>Day/Month/Year of record creation/edit</description>
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              <text>6/26/2014</text>
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          </elementTextContainer>
        </element>
        <element elementId="10">
          <name>Physical Dimensions</name>
          <description>The actual physical size of the original image</description>
          <elementTextContainer>
            <elementText elementTextId="2684">
              <text>25.5" x 34"</text>
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          </elementTextContainer>
        </element>
        <element elementId="52">
          <name>Scale</name>
          <description>The scale of the item (if known)</description>
          <elementTextContainer>
            <elementText elementTextId="2685">
              <text>Flexible</text>
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          </elementTextContainer>
        </element>
      </elementContainer>
    </itemType>
    <elementSetContainer>
      <elementSet elementSetId="1">
        <name>Dublin Core</name>
        <description>The Dublin Core metadata element set is common to all Omeka records, including items, files, and collections. For more information see, http://dublincore.org/documents/dces/.</description>
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          <element elementId="50">
            <name>Title</name>
            <description>A name given to the resource</description>
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              <elementText elementTextId="848">
                <text>Historic Saratoga Springs, N.Y., Queen of Spas</text>
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          </element>
          <element elementId="94">
            <name>Rights Holder</name>
            <description>A person or organization owning or managing rights over the resource.</description>
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              <elementText elementTextId="850">
                <text>White Mountain Puzzles, &lt;a href="http://www.whitemountainpuzzles.com/"&gt;www.whitemountainpuzzles.com/&lt;/a&gt;</text>
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            </elementTextContainer>
          </element>
          <element elementId="40">
            <name>Date</name>
            <description>A point or period of time associated with an event in the lifecycle of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="2686">
                <text>1996</text>
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            </elementTextContainer>
          </element>
          <element elementId="45">
            <name>Publisher</name>
            <description>An entity responsible for making the resource available</description>
            <elementTextContainer>
              <elementText elementTextId="3175">
                <text>White Mountain Puzzles</text>
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            </elementTextContainer>
          </element>
          <element elementId="44">
            <name>Language</name>
            <description>A language of the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3176">
                <text>eng</text>
              </elementText>
            </elementTextContainer>
          </element>
          <element elementId="37">
            <name>Contributor</name>
            <description>An entity responsible for making contributions to the resource</description>
            <elementTextContainer>
              <elementText elementTextId="3177">
                <text>McEntee, Bill</text>
              </elementText>
            </elementTextContainer>
          </element>
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                    <text>1

Roe-Raymond

Interview with Travis Roe-Raymond by Harry Sultan, Skidmore College
Oral History Project, Skidmore College, NY June 2nd, 2018
Harry Sultan: So if I could just have you introduce yourself.
Travis Roe-Raymond: My name is Travis Roe-Raymond and I was in the class of
2008 at Skidmore College.
HS:

Great, and what did you major in?

TRR: I majored in Religious studies
HS:

Now was that something you knew you wanted to major in before coming
to Skidmore?

TRR: I had no idea what I was going to study for, or major in when I came here,
but before I'd started in college I had started to learn more about yoga and
meditation and so when I was starting to figure out what I wanted to do it
was really just about taking different classes and so I really had no idea
going in and after - I want to say - maybe a semester or two I was like, you
know what I really like these classes.
HS:

You started yoga before Skidmore?

TRR: What's that?
HS:

You started taking yoga before Skidmore?

TRR: So I started, yea, I started doing you know meditation and stuff before I
even came to Skidmore. My father had gotten into it and that's how I
learned about it.
HS:

And where are you from that you were doing yoga

TRR: Yea, central New Jersey, so Princeton New Jersey area. Yea, yea.
HS:

So you came to Skidmore, decided to take a bunch of classes, could you
give me a short list of the different types of classes that you took?

TRR: Yea sure so I took, let's see. I took a religious studies course, a religion and
violence course - which was really fascinating because this was only a few

�2

Roe-Raymond

years after, um, the 9/11, so that was really fascinating. Um took courses on
religion and contemporary American society so that was on learning about
the Branch Dividians in Waco Texas and what makes a group a cult and
what makes a group not a cult um. I also took calculus. I also took, I took
an arts sculpture class the first year which I feel I don't have a creative bone
in my body and so I took that and it was really nice to do something very
different, it was the only class I took in that section. I took sociology
courses which I really really liked, that had a big impact. And I also took
some Psychology courses so really, ran the gamut on all sorts of courses.
HS:

And did you find by taking all these classes you could pull connections
between them throughout college?

TRR: Absolutely, it was very much interdisciplinary. And when I was doing the
religious studies major, the background of courses they wanted you to take
were very much grounded in interdisciplinary approach; so you know you
gotta learn about the major thinkers in psychology and sociology and these
other areas. So absolutely it was very much integrated and I loved that. It's
funny though after college the most challenging thing is people ask like
'what'd you study?' I was like 'religious study'. And they're like 'oh were
you trying to become like a religious leader or something?'. 'No no it was
purely academic' so you always have to explain that away.
HS:

And so you get to Skidmore, you don't know what you want to do, but do
you remember your first couple of days on campus?

TRR: The first few days were, I think for most folks it was such a big adjustment.
I remember really trying to get a lay of the land in terms of, everybody's
feeling each other out, you know they had a couple folks who would sort of
lead you through, 'Hey there's an event going on at the gym' or through
these different places, but I was really just trying to get a feel for where

�3

Roe-Raymond

everybody was and what they liked to do and how I could connect with
people. So it was definitely, you know you're out of your comfort zone as
it is for most and I just remember just trying to navigate that. I don't think it
was terrifying, but I don't think it was easy either and slowly over time it
became better.
HS:

And do you remember your actual first night? Did you hang out with your
roommate? Did you go out partying?

TRR: My first night, I want to say that there was a upperclassman who, I don't
know if they were assigned explicitly or not but they were, they took it
upon themselves to gather the new folks whether it was in Johnson Tower
or somewhere else and say 'Hey lets all hang out. We're gonna go down to',
I think we went down to the auditorium and saw some sort of performance
of you know dancers or something like that. And so that was really what the
first night was. I was really just in a flock of freshmen and going around
with them. And you know it was really nice, I think what was nice was the
leader, the person sort of guiding us around was of course very nice and
very open and that made it better and actually from that group there was
one or two folks that I actually stayed friends with.
HS:

And going through those three or four years did you have that sort of close
knit group of friends?

TRR: The, I had a little bit of a division and it was from freshmen, sophomore,
and then into junior year and then when I studied abroad; that was
somewhat of a line of demarcation. So previous to that there were a few
folks that I had befriended, ever since when I came back we sort of went
separate ways a little bit and of course before I went, studied abroad, there
were a few friends I was hanging out with after but that was a little bit of a
divider and I think the reason was because when I got back from study

�4

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abroad and maybe just going to study abroad, it made me realize 'oh my
gosh' you know, college is going to be over soon. Not too far off. And you
need think about the real world and whats going on and I remember that
just being a big mental shift. Because freshmen, sophomore year you're
really just trying to get into what is it to be in college, how am I relating to
other people, what do I want to study and learn about. But for me it was
never, Oh cause I'm going to use this in the real world. After study abroad I
was like, wait a second I really need to think about the real world?
HS:

Where did you study abroad?

TRR: I studied in Paris. And Jordana was in charge, Professor Dym and it was a,
it was actually a history department program that went over there and it was
great. She was studying things around travel in, I want to say 16th century
Europe or just medieval Europe. And so that was really the topic. You
weren't supposed to know a lick of French. I happened to know some
French and so when I got there I was sort of in this tweener group, I didn't
know no French but I also wasn't at the expert level that the French majors
were doing and so I had to sort of decide which groups I wanted to be
taking courses in and all that but that was a wonderful experience that I
think I'll never forget. Very powerful.
HS:

Is there one memory that really stuck out?

TRR: Yes um. Our professor instead of having a normal class which we were
supposed to that day, she took us um. You know she had a budget for us in
terms of when we could take trips and where would go and so our group of
maybe 10 students, she took us to a restaurant called Le Grande Vefour
which is right downtown Paris and it is one of the very fine dining you
know, three star Michelin restaurants - I don't know if it actually was - and
we went there for lunch. And you know, if you know any, going into a nice

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restaurant, lunch is a good way to get in because it's just cost effective but
even so we had this 8 course meal, with all these special dishes and things
to cleanse your palette in between and by the end of it you know thinking
how special that meal was, like I never, and never have since had had as
nice a meal as that. So that was a really special experience.
HS:

So you get back from Paris. You're back at Skidmore, you're thinking about
the real world. Is there anything from your trip to Paris by studying abroad
that you brought back with you to kind of help that transition?

TRR: In what sense?
HS:

Cause I feel like people when they go abroad, you're outside of the
Skidmore bubble, you're in a new city, it's a faux adulthood.

TRR: Yea exactly, well said.
HS:

So did you bring any lifestyle advice from your own experience

TRR: I think again it goes back to what I was saying before around realizing that
being outside of the Skidmore bubble and realizing, yea what do you want
life to look like outside, after school. What life do you want to have for
yourself? Where do you want to live? Not like I was harboring any thoughts
about living in France, but yea it did, it made me think about, 'Okay you
know I have only this much time left at school. This is what I'm studying
and majoring in um, how do I want to turn this into a career.' I think career
was really a big focus and coming out of the study abroad, it was
fascinating because France is interesting right I mean you go down the
street and it's very similar to being in America. There's parking signs and
people walking down the street, but you learn quickly that there are subtle
differences. And that, there's a whole history behind all the different things
that happened - the French revolution - all these different things that lead to
these subtle differences on the surface but then bigger differences in

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peoples beliefs underneath the surface and I think that had a profound
impact on how I was thinking about wanting to be in the world when I
came back. So I think that was another one.
HS:

And so looking back you think you would have told yourself; If you could
go back and tell yourself "do something different" or "definitely don't
change a thing" do you have any advice you would give your former self

TRR: I don't know if I, I don't think I would have told myself to go a different
path in terms of what classes I took. I was really grateful I took such a
breadth of classes. I always wanted to be the person that knew exactly what
they wanted to do and just drill deep into that area but as I've gone through
time it just doesn't happen that way, it just doesn't work that way. So I think
I would have said 'Hey, do what you were doing' I felt like I was able to
take advantage of things the way I wanted and maybe if anything, I might
have told myself, you know, 'stretch out a little bit more, try even some
other classes that you may never have taken the last time around'.
HS:

Are there any classes you remember not taking that you regret not taking--

TRR: Kind of wanted to? I would've liked to have taken a little more like art and
sculpture classes. Just that physical aspect of art. That would have been
really cool. Because it did have something of an impression on me when I
did the one and I remember in the Northwoods they wanted us to do some
sort of project in nature. So what I did was I took these stones and I made
what I believe is called a cairn. Which is sort of like this pyramidical shape
that you use to sort of mark a trail. And so I went out there and it took
weeks and weeks to build this small, not very big cairn. And that was a
process that I strangely really connected to and I was surprised that I had.
And so that kind of thing made me lead to, "gosh I would've loved to take
more art and sculpture classes"

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HS:

And so outside of academics were you part of any clubs?

TRR: I did, I was part of the Skidmore Cycling Club, believe it or not. So at the
time there were a few upperclassmen who had started this club and they
had gotten a formidable budget for it so we could really go through the
competitive collegiate cycling scene. And that was a great experience. I had
received an informal scholarship - it wasn't an official scholarship - to play
lacrosse at Skidmore and you know, about three quarters of the way into the
first year, my freshmen year, I was just burned out, I wasn't enjoying it. I
think just from years and years of playing the sport, it brought me a lot, but
I just - it was the middle of winters and I just decided after thinking about it
for weeks and weeks, I said I'm done, and I stopped it and so I was looking
for something else and cycling was a big thing. And I was also able to do
choir and sing and do that because that was something I'd done in
high-school and middle school and I still, though I'm not singing now that
is another thing that I did that I still enjoy doing.
HS:

So you sang in high-school, did you cycle in high-school?

TRR: I didn't cycle in high-school but I worked at a bike shop for like 8 years. SO
at the end of middle school, the local bike shop was looking for someone to
work for them and I started doing that. And that was a great process
because you know, yea you learn about bikes and all that stuff but that's a
big experience when you're, you know, an 8th grader, you're learning all
those skills of how to talk to people and how to work with people and that
was a really important experience in terms of learning how to problem
solve and learning how to work with people and understand what their
needs are and stuff like that. So yea I was a bike mechanic and that's how I
got around it, and then you know the Tour de France would come around
and you'd see Lance Armstrong winning these bike races and that lead to

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after, while I was doing lacrosse I was like "oh I would love to learn how to
do road biking" and that's kind of how it started.
HS:

So was biking a big part of your trip to Paris?

TRR: It was supposed to be. So I had my road bike all packed up in a special box
to bring over. And of course we took Air France over. And we went over.
And of course it didn't show up. And making phone calls and trying to get
in touch with them. I think it was two months into my three month stint in
Paris when we actually got it. And the only way I think we were even able
to get the bike found was luckily my father worked with some people at
some of these larger corporations who could reach out to Air France and
say 'hey, you gotta help'. I think. So it was very much just luck, finally
found it, finally got the bike when I was almost at the end of my trip and I
just remember how cool it was being able to ride my bike on the first time
ever to ride my bike on foreign soil. And in France which is kind of the
hallowed cycling sort of center of the universe so that was a really crazy
experience
HS:

And what was it like the scenery wise in Saratoga versus the cycling in
France?

TRR: I think, I only got to ride a little bit in France and I wasn't able to get
anything competitive, it was really just I'd just go out for little short rides
and so coming back senior year I was trying to race competitively in
college. And there was less support in the club. Some of the folks,
unfortunately there were some, there was a little bit of scandal where we
found out some of the founders were actually fabricating receipts to - they
were fabricating receipts that they had gone to races and spent all this
money that they'd never even gone to. So I heard that those folks got a slap
on the wrist and that was it, but I had to give a sworn affidavit to the police

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and all this stuff so it was kind of a big deal. But anyways, I just found that
afterwards it was, yea I was trying to really enjoy my last year and so
cycling was a big part of that and I was also trying to see if some people
that were younger, coming up in Skidmore would get into the club as well.
There was actually one gentleman who ended up carrying the mantel and
doing some things here. But he took it I think in less of a racing direction
and took it more in a nonprofit, helping people get access to bikes direction.
And so that was the experience.
HS:

And is there anything at your time at Skidmore, you're really happy to see
is kind of the same?

TRR: Well coming back, it's nice to see that things look just aesthetically the
same. It's such a beautiful campus. And it's very idealic in that way. It was
nice to see that generally everything is how you left it; yes of course its
grown and they've put some new things here. You know one thing that was
really nice was to run into, to be able to see a former professor and that's
something that I feel like I'm really grateful to have the professors I've had
ten years ago are now chairs of their department here and it's been really
nice being able to connect with them. A few years ago I was dabbling with
the idea of graduate school in certain areas and possibly even doctoral
programs and they were a huge resource. Even though I hadn't talked to
them in six, seven years to be like "Hey, I'm reaching out about this" and
they were really great about giving me some really honest feedback about
"hey listen. What are you interested in. What are you looking to do in
graduate school. and these are our thoughts". So it's been nice to be able to
come back, talk with some people, walk around, you know, retrace your
steps a little bit. It's so funny how that never gets old. Everybody wants to
remember what it was like to, you know, have a certain memory when

�10

Roe-Raymond

somebody was, ya know, if somebody went to a party and got a little crazy
and you see them at the dining hall. All sorts of idiosyncratic stories like
that it's nice to see; walk through those areas and relive it so.
HS:

Has there been a spot on campus, a building you've seen or a place that
you've walked by that brought you back to when you were a student?

TRR: Case center. Just walking through there and just kind of, you know, the
scene, seeing people around on their computers going down - I don't know
if they still have it for students now, but they had mailboxes for us. And I
remember at the time, I think the biggest thing is just seeing what has
changed in the times. So I remember going to my mailbox and pulling out a
Netflix DVD that was in the envelope. Like it's amazing something as
simple as that has just changed so dramatically.
HS:

Is there anything that you wish would have changed since you graduated?

TRR: It's hard to say. I'd like to say that I was more integrated into the goings on
at Skidmore. I feel a little bit more like I hope that things are staying the
same in the sense of, my wife and I had very different experiences in
undergrad. She went to Rice University, went on to get her doctoral at
University of Michigan and then I never went to graduate school but for my
work I did do other certifications. And it was so funny how we had such a
different experience because she didn't do - I think the school she went to
was technically considered liberal arts but what I loved about here that I'm
happy stays the same, or I think stays the same is the sort of small class
environment and the ability for a professor to say "hey, read this, or go
through this information, we're going to come back in and talk about it" but
what the professor would do was he or she would facilitate it so they would
say "hey, what did you think" and stop and hope most people who read it
would then say "oh well I thought this" or "I thought that" and then the

�11

Roe-Raymond

professor would guide you, not try to, not take over the conversation but
guide you on "okay well tell me more about that?" or "what did other
people think about that?" and it just lead to these amazing conversations.
The ability to hear other peoples' perspectives without being, you know
sometimes you could enter the realm of things where people have different
backgrounds and it could be maybe a little offensive so I really appreciated
that. One thing that I'm worried about that I hope isn't changing, I think
there's been some really important changes you know with the MeToo
movement, and some of the new fears around discrimination, racism,
gender, sexism, things like that, and I hope that as that's all happening, I
hope that people are still given the space to kind of respectively give their
opinion even if it's not perfectly along party lines so to speak. Because one
thing I was hearing - so right now I'm a financial planner, so I work with
professors at all sorts of schools and one comment I was hearing from one
art professor down in New Jersey who was retiring, he was saying that, he
said "oh well you know unfortunately I've heard some comments that
professors now have to be very careful saying something that's even
seemingly benign because theres a lot more sensitivity to how it could be
interpreted". And obviously theres a line on what's right and wrong to do
but they did give me kind of some pause to think,"gosh I wonder how it is
now". So I just hope that there is that sense of hearing different perspectives
and being respectful to them
HS:

So is that not something that you had to worry about when you were a
student?

TRR: I just felt like the professors at Skidmore would, they would do a really
good job of saying, "okay I'm going to ask a question about something that
is controversial" especially I remember during the religion and violence

�12

Roe-Raymond

course. So we were trying to look at the steps that the - for the lack of a
better term - terrorists took when they crashed the plane into the World
Trade Center, and we were trying to look at it less from a, lets just straight
up demonize them, and more of a, okay if we're playing devil's advocate or
we're trying to understand their side, what do you see? And we were talking
about Osama Bin Laden and you know it's very easy, in that time it's very
easy to say well they're bad and they're horrible and that's all there is to it.
Well there's a lot more to it. It's just this aspect of the professor saying
"listen we need to look at these other perspectives because it's not good
enough to simply typecast somebody or some thing because you're not
going to understand as much" so we learned a lot more about the us versus
them language and the fact that Osama Bin Laden, as much as he did
horrible things and represented very negative things. He also was very
smart and had very, was very good at his rhetoric and how to shape ideas
and thoughts to his means, or his ends rather. So that was, those were some
valuable experiences.
HS:

And did any of these conversations drift out into social life or dorm life or
were your academic and social life completely separate?

TRR: Well they did in the sense that, when I was there - I was there from 2004 till
2008 - and so when I was there it was the presidential elections with John
Kerry and George W. Bush for a second term and that absolutely leaked out
all the time. So I remember in my religious studies class with Professor
Mary Stange talking about it, and obviously we're at a liberal arts school so
most - I don't know anybody who was actually for President Bush - but,
god you could just feel the energy on campus when George W. Bush wins
again. It's so interesting looking back on that now after what's happened in
2016 which truly paints an interesting juxtaposition. So yea that'd bleed out

�13

Roe-Raymond

a lot and we would talk about it. I don't know if I had super structured
social forums for us being like "hey, you know let's talk about the elections"
but it definitely leaked out.
HS:

And what about downtown life?

TRR: Downtown life, I was, it's funny, for me Skidmore was very much a bubble
even from the town a lot. I ended up working at a local bike shop, I worked
at the Saratoga Ice Rink. When the parents would come into town we'd be
able to go to a restaurant or something like that. I didn't have a terrible
amount of either community engagement or sort of interaction with the
downtown. Maybe I'd walk through town or something like this, but it
wasn't a whole lot; because it's just amazing how one, the academic things
that you're trying to take care of on Skidmore, for me, just kept me here.
And I like that, but it was also very insulating, you just kind of forget that
everything else is out there. So I didn't have a terrible amount of
interaction, probably the most was just biking in and out of town constantly
to go out on long rides with the group and things like that. But I didn't have
a huge interaction. The only thing was really Caroline Street, you know that
was the place where everybody went to kind of let loose and if you wanted
to, if you were of age and wanted to drink, and I remember the place, there
was a pizza place you'd get doughboys and I remember that being a big
thing.
HS:

And now that you're, when you found you were going to be coming back
was there any establishment in Saratoga that you were really looking
forward to going to?

TRR: Country Corner was big, that was big. I think just because when you come
back you remember it as amazing, and you come back and you're like
"alright this wasn't amazing" but it's still just that memory. So Country

�14

Roe-Raymond

Corner, Putnam Market was also another place I looked forward to going
to. So I'd say those were the two big ones.
HS:

Any last stories that you really want to tell?

TRR: I do remember. I do remember, I don't know what they were doing but there
was some sort of run that was happening outside Johnsson Park and I don't
know if this happens every year or what. And I wasn't participating in it, but
a group of folks, I don't know if they were part of the Wombats - the frisbee
team - or what, I don't know, but a group of folks decide that they're going
to strip down naked with running shoes on and go do a naked run. So I
don't know if that's down now but I just remember hearing it and just, I
thought it was absolutely hilarious. So.
HS:

Cool thanks so much.

TRR: Yea thanks so much.

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                <text>Roe Raymond, '08, majored in religious studies, is from central New Jersey.  He remembers the first night on campus as having some returning students come to Jonsson Tower and invite first years to join them at an event.  That welcome helped break the ice.  His major required lots of interdisciplinary study, including in sociology.  He studied abroad in Paris, learning about history and travel.  Living in France and outside the "Skidmore bubble" helped him decide how to focus on how best to use his remaining semesters on campus.  He was part of Skidmore's Cycling Club,  and also sang in the chorus.  His bike, meant to be a large part of the Paris study-abroad experience, was waylaid by the airline, and arrived with only a month to spare.  He was able to reconnect with his professors when applying to graduate school, and appreciated their being 'a huge resource.'  He appreciated the open converstions in classrooms, and how faculty guided conversations rather than dictating.  The importance of looking at all sides, and hearing different perspectives with respect, was very important to his program, particularly a course on religion and violence which considered the September 2001 attacks.</text>
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Cohen &amp; Carr
Interview with Emily Cohen and Jennifer Carr
by Harry Sultan, Skidmore College
Saratoga Memory Project, Skidmore College, NY June 1st 2018

Harry Sultan: Could I have you introduce yourselves?
Emily Cohen: I'm Emily Cohen, Emily Diminiani Cohen. Class of 1988
Jennifer Carr: I'm Jennifer Carr and I'm also class of 1988
HS:

And how did you two meet?

JC:

We met on our move in day of our freshmen year, so 1984. September. But we
met on the phone prior to that. Emily gave me a phone call after you get your
letter - back in those days you got an actual delivered letter that explained who
your roommate was and what interests my overlap. And Emily phoned and we
had a fun conversation.

HS:

Do you remember that conversation?

JC:

Do you?

EC:

Bits and pieces, I think you probably remember more than I do, you have a
better memory for those.

JC:

I remember Emily saying that she was from New York and that she spoke very
proper and I had a Boston accent that was fairly thick at the time and Emily
quietly note, 'oh, you have a thick Boston accent' and I think it lead into the fact
that she would be allowed to have a car on campus and I was like, "ooh a car on
car on campus, that'll be exciting"

EC:

Right, that was back in the day. I think now Freshmen are not allowed to have
cars, but I think we did. I don't remember if I had it from the very beginning or six
months in.

JC:

I don't recall

EC:

We might have. So yes, we met move-in day. My parents, Jennifer's parents. I was
teary, I couldn't believe I was going to college, and going to be independent and

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separated from my parents and Jennifer was ready to celebrate and throw her arms
up in the air.
JC:

I was celebrating. Parent free. It was a nice opportunity to be away from my
parents that I was very much looking forward to.

HS:

And what dorm were you in

JC:

Tower. Tower 8th floor correct?

EC:

8th floor, yes.

JC: And we had a balcony room
EC: and a co-ed floor which my parents were horrified by
JC: Oh gosh, mine as well. My father met a young man who had an earring,
and he was a little, discombobulated by that fact. I think, first that there was
a man on our floor and what did that mean in 1984. Didn't mean anything;
that he liked an earring.
HS: And when you got to your room did you decorate, did you settle in, did you
explore the campus?
EC: We bought a few things. You had a bit more flare than I did. You brought
maybe a lamp, something for the walls, posters. There was definitely an Ice
Cream Social, that was an icebreaker. I do remember that, going to that
together. After I stopped crying we went to the ice cream social. We had the
window seat, did you make that your bed?
JC: Yea we moved the mattress off the bed-frame, I don't know where we were
allowed to put the bed-frame after that, but we moved the mattress to the
window seat so my bed was there and Emily had the modular unit.
EC: Right, so I had to climb up some stairs and then the desk below. We had a
nice room. Nice suite
JC: We had suite-mates. 1, 2, 3, rooms on our side and then two rooms on the
other side of the bathroom.

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Cohen &amp; Carr

HS: So when you got into Skidmore did you have any idea of what you'd want
to major in or what you wanted to get out of Skidmore?
EC: I wanted liberal arts, so that's what drew me to Skidmore. I studied French,
but really a broad liberal arts curriculum. So I think I was looking for that
experience. You were business-minded.
JC: I was a business major, and I think I knew that from the beginning but I
also was excited about the liberal arts experience and I remember thinking
partially through the school year how each class room experience had some
shared knowledge that sort of transcended from one class to the next and I
was very excited about that because that's not how high-school was.
HS: Do you have any examples how those classes transcended into the rest?
JC: It was a long time ago. Let's see. I do remember we took a business, we had
BU-107 I think it was in the beginning stages of that and just how that
incorporated accounting, but also had english features to it that you had to
do presentations
EC: Right, and read the book and even as a french major I took BU-107 and I
remember to this day reading the book called House. I think that's what it
was called, about a married couple who built a house - it was a novel about how they almost ended up divorced because of this process together
so even in a business class there was this whole study approach.
JC: The aspect of working in a group and who would take on which roles, and
who was slacking and who was not slacking. I think I wasn't the best
business major in the world
HS: And did you take the class together cause you were such good friends?
EC: We didn't take the class together, no. I took it maybe as a junior just ya
know to take because it was one of those, 'oh you have to take BU-107 and

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learn about McDonalds and Gillette Razors' and all of those classic
business examples. You took it probably first year.
JC: I took it first year, maybe second semester. I remember it being springtime.
I remember on our day of our presentation listening to a Crosby Stills and
Nash song, I don't know why that sticks in my mind, and having to present
in front of these business men, there were no women at the time. But it was
very nerve racking. I was nervous.
HS: Do you remember what song?
JC: I'm not good with the songs, but it's the one that goes on for about 12
minutes long.
HS: Sweet Judy Blue Eyes?
JC: mmm we'd have to google it I think
HS: And could you tell me a bit about not just your dorm room, but your dorm
life? Did you hang out with people in your suite and the floors?
JC: We did, there was a freshmen group, they were in a triple.
EC: Yes, one of our dearest friends to this day, she lives in Colorado so
unfortunately Claude Goldberg is not here, but we're dear friends to this
day. And then a junior in a single
JC: And a senior on the other side whose boyfriend took photographs for Sports
Illustrated and that was kind of fascinating; we got to see the photographs
of - what sticks in my mind is the swimsuit issues were always so popular
at the time and kind of sexist I guess now; but the swimsuit issues would
come out and you'd look at all the photographs but we got to see all the
photographs before they were retouched and we were amazed at how
different things were.
EC: I do remember that.
JC: You remember that?

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Cohen &amp; Carr

EC: I forgot about that.
HS: Were there parties in the dorms or more relaxed?
JC: I think they used to have like floor parties, maybe the RA's would pair up
with another floor and you'd have like seventh and eighth floor would have
like a social and I think they could serve alcohol cause the drinking age was
eighteen at the time and they would put a sign on the water fountain that
said 'non alcoholic beverage' kind of thing. And they'd be socials so they
weren't hours and hours long but there was a common room
EC: There was, I was just about to say I remember - was it on the top floor?
Because I remember our freshmen year watching the Super Bowl in some
sort of common room, but not on our floor because we were the last class to
have J-term so we spent January, we came back right after December
vacation and had a one month - I think I took art history that month - a one
month intensive maybe three week class. And skiing, we used to go to West
Mountain and Ski. So we were here for the Super-bowl. I remember going
to a party freshmen year on that floor
JC: Yea it's the penthouse I believe
HS: So when you weren't in classes - you just said you skid - were you part of
any clubs or activities?
JC: I was on the riding team, the horse riding team for a couple of years. And
did we join in the some other thing within the dorm, I think we might've
EC: Maybe, I remember some sort of volunteer opportunities. I remember
something in town, maybe with an elementary school that I did at one
point. It was such a long time ago now but my memories are of, and that
was what touched me this morning listening to the award ceremony, and to
our classmate who received the Creative Thought Matters award, that there
was this commitment even then to social activism and taking care of the

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Cohen &amp; Carr

other and it wasn't called creative thought matters but it was definitely in
the culture of, you know, putting yourself out there to help in the
community and the world.
HS: And so I guess coming back here are you seeing anything that has stayed
the same that you're happy has stayed the same since when you were
around?
JC: I think the overall campus layout is the same so it feels familiar. Still the
same buildings that are here now but I find comfort knowing like where to
go to find which dorm, the names of the buildings return to my mind, when
someone says the Ladd building, I'm like "oh the Ladd building". But
mostly the dorms I think bring back a little nostalgia feel. Like which
window was mine, you know remember that year you lived in that dorm
and traipsing across the quad we would have occasionally on Saturdays or
Sundays they would have sort of like cake parties out there I guess.
Someone would put a speaker up in Howe-Rounds out their window and
just be out.
HS: And was there anything that you came across on campus while you've been
here that started an immediate flashback to when you were in college?
EC: Being on the green probably. Sitting there this morning having the
skidmosas and looking out onto the green remembering those parties and,
as I said, the music. I remember that Livingston Taylor came and played
and there was a piano on the green.
JC: I don't remember that, but I remember the gatherings. Some kids played
hackey sack, there was always hackeysack, frisbee. Sometimes we would
just sit out there and listen to the music, watch everybody come and go. It
was nice cause you were all together and didn't have a class. It was all
relaxed.

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Cohen &amp; Carr

HS: Anything that as you've come back and see things that you wish were
different, or things that you wished changed that you see are still the same?
JC: I don't
EC: No I see only progress. You know the garden, we were commenting if we
would garden, and the answer is probably not. But young people today,
college students today are so minded toward that so I only see
improvements. The growth and the landscaping is more beautiful, the patios
are more wonderful
JC: Skidmore to me is like an awesome place and nothing, I would never
change anything about it. Um, those places down there
EC: Sussman
JC: Sussman is reminiscent of what we lived in but is also nice and new. I am
always happy to come back. No regrets. The only thing I wish is that we
had more of things they have. You know the beautiful museums and the
music center we were in today.
EC: Zenkel is beautiful, and the tang.
JC: We didn't have that.
HS: And did either of you study abroad
EC: No I didn't, remember, I didn't want to leave. I should have but I was so
happy in Saratoga, so happy at Skidmore that I didn't. No. We were both
here all four years.
JC: I think I was happy to be here.
HS: And while you were on campus did you ever break outside the Skidmore
bubble, explore Saratoga?
JC EC: Always
JC: I think we would walk down or take the crazy bus that was offered

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Cohen &amp; Carr

EC: And we went to the battlefield, the Saratoga Battlefield, we would go to
Lake George occasionally, explore. Yes we felt that we were in a beautiful,
we loved the area.
JC: Sometimes we'd go out to dinner together or with another friend. Even as
freshmen we would find someplace else to eat besides the dining hall.
EC: Yes, the dining hall is a huge step up from our dining hall. Huge step up in
looks and quality
JC: I remember shrimp cocktail. Every, maybe once a month, they'd put out this
huge display of shrimp. Do you recall that? I think I overdosed on shrimp
because that would be like the only food I would eat. Seemed the freshest. I
had so many shrimp
EC: I remember eggs. Always making egg salad from the hard boiled eggs. Yea
that's my strongest dining hall memory
JC: The shrimp always caught me off guard, like what college has shrimp. My
other friends were like, 'you get shrimp in college?' I'm like 'yea'
HS: When you went out for dinners in Saratoga was there one place that was
kind of the go-to?
EC: Madame Jammels for Sunday brunch which I think is gone. The Court
Bistro which is also not there. Oh and Hattie's Chicken Shack is still there,
we used to go there on Sundays for dinner. Gaffneys of course for wing
night.
JC: And that was inexpensive
EC: Yes. Um Where else did we
JC: When our parents were in town we'd make them take us to the expensive
restaurants like the Old Bryan Inn.
EC: Lillians we went to occasionally
JC: What was that place out by the lake? On Saratoga lake

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Cohen &amp; Carr

EC: It's still there. It's big, it almost has a theme to it now.
JC: I think it had a water feature on the inside.
EC: Yes I think so. What's it called, out on the lake or towards the lake.
JC: They had coconut bread as the bread they serve from the beginning and
they had a recipe that my mother still has.
EC: Oh really? I can't remember the name of that restaurant.
JC: Steven [Mosk] took me there on our first date. Big spender that he was.
EC: Showing off
HS: And have you been to any of these places since you graduated?
EC: Definitely.
JC: Mrs. Londons we enjoy. Gaffneys. I mean the physical buildings are still
there, most of them anyway.
EC: So Jennifer and I, because we so love Saratoga and Skidmore, we've come
to every reunion and we've also come over the years for a fall trip to meet
each other or a spring trip with our moms, did we come once with our
moms. So we've definitely stayed very connected. We rented a house one
summer we were remembering this morning, 20 years ago, no 19 years ago.
Yea so we've stayed very attached and very connected to Skidmore.
JC: It's one of our favorite places to be, I think. It makes us happy when we're
here.
HS: Did you feel like, or has your appreciation of Skidmore or Saratoga change
since you left Skidmore?
JC: I know I think we still feel, like we come back and we feel we know which
streets to go up and down, it feels familiar
EC: It's grown quite a bit, the downtown. We definitely reminisce about the way
things were before there were more retail chain stores, that's a difference.
But it's kept its character and we just love seeing what's new.

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Cohen &amp; Carr

JC: Grand Union's gone.
EC: yes
JC: Price chopper. What else did we do? We used to go there to get snacks
EC: Right. Is the diner still there? Down toward
JC: Comptons?
EC: No, there was a diner wasn't there? Toward the lake on Broadway? I don't
know.
HS: So what was an average week like?
JC: I remember we would have classes. It wouldn't be a full day of classes.
You'd have whatever you chose for your times, for your class schedule. But
you'd have a class, a little bit of time off, time to have a lunch break, go
back to an afternoon class. Some would have an evening class, some would
have a 7 o'clock class. We'd have dinner in between, then library/ study in
the room. I was not a very good library goer. And then I think every day
was a little different but that was sort of the general them, I don't remember
sleeping in.
EC: No. And maybe exercising. The athletic center isn't what it is today, but it
was really nice in 1984, 85. We played squash, played a lot of squash. Um
we watched friends compete in sports.
JC: Hockey
EC: Yes, hockey games
HS: Were the sports a big part of the culture at Skidmore back then?
JC: It was small enough that I think you pretty much knew everybody who
played a sport and who didn't play a sport so if your friend or girlfriend was
playing an important game on campus you'd definitely want to visit and see
what they were up to. I don't think I took in too many basketball games, but
a few.

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EC: no. Hockey, lacrosse, occasional soccer.
JC: Tennis
EC: We'd watch tennis.
HS: And was that the same with the equestrian team?
JC: So the equestrian team didn't really have shows, maybe once a year we'd
have shows here so we'd have to travel around. Got to go to Cornell, I've
forgotten some of the other places we would go. St. Lawrence, we would
drive all the way up there. So it was more off campus, and we'd have to
sleep overnight usually which was strange. We'd be in kind of crummy
hotels and no bus would take us we'd have to drive in someones personal
car which I don't think they do anymore. Probably legal reasons
HS: what was it like competing at the collegiate level?
JC: That was awesome. The horse back team is a little bit different than a
traditional sport. As a team you're not out there at the same time, you're sort
of doing it individually to accumulate points as a team. So you were still
riding horses like you were normally in your previous life but it was fun to
be with a bunch of ladies and men, because it was a co-ed sport so that was
pretty neat.
EC: Bruce did it with you
JC: Yes, I was on the team with Bruce
EC: On our freshmen year
JC: Yup that's how we got to know each-other a little bit better. But it was a fun
thing to do as a co-ed group I guess. And we spent a lot of time traveling
back and forth so we would chat about whatever, eat pizza out usually is
what we ended up doing but it was kind of fun to see other schools and got
to meet the kids at a different level, like we would spend more time with
them because we would be hanging at the schools with them. Different

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schools were competing in one arena, you go and you right their horse so
you don't know what you're getting until you get there which was the
unique part about it.
HS: And you did it all four years?
JC: I didn't do it my senior year. Three years. I don't know what happened
EC: I don't remember
JC: I don't remember either. I don't know if it was taking more time than I could
spend, or I wanted to diversify cause I ended up being on the government
committee. Student government committee.
EC: Mmm. SGA, you did do that, I forgot about that.
JC: Yea so the student government council?
EC: Association I think. SGA?
JC: I don't remember.
EC: I think
JC: And we would sit on disciplinary hearings for students so we were sort of
in charge of making disciplinary actions amongst your peers which was a
sort of unique experience in itself.
HS: Any things from there that remain with you?
JC: I remember it being very difficult and I thought it was a challenge to
participate in that because you are their peers and we didn't have a court
system like you do now. We didn't have a ton of evidence it was more one
person speaking for themselves, maybe someone else speaking for or
against them. And then we had to decide what the disciplinary action would
be. We had a guide and there was definitely a faculty or administrative
member on the team. But I don't remember what we listened to to be
honest. What kind of crimes they were.
EC: What sort of infractions. I don't remember

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JC: There may have been a sexual assault discussion which now would be
probably something you hear more often, but back in 1987 or '8, whatever,
that was, it was hard I think to understand what was right and what was
wrong with facts and evidence
HS: and were you part of SGA as well?
EC: No I wasn't, I did more volunteer work I remember. I did have an internship
at the Hyde Museum. I was thinking about that during my drive here. In the
rare book department and that was fun. I would drive to that museum and
do some work there but no student government for me.
HS: Was the Hyde internship something that you got through Skidmore?
EC: Yes it was. I don't remember how, and I don't even remember if it was
our junior year or if it was over two years but it was a wonderful museum
and I was thinking about it on the way here, if we had more time it would
be fun to go back and see that museum.
HS: And was that an area that you thought maybe after college that you'd go
into?
EC: I think I was just exploring more than anything honestly. I liked art, liked
books, and it was an opportunity that presented itself so I don't think I
really, thirty years ago things were so different. We just didn't think that
much about what we would do after college. It's, to look at the wall
downstairs of the seniors from this year that have phenomenal jobs in
banking and law and medicine and the Your Hired Photos; we commented
yesterday, we wouldn't be on that wall.
JC: We went to Europe.
EC: We went to Europe.
HS: For how long were you in Europe?

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JC: Two months. I think a total of eight weeks. Our third friend Claude came
with us and we all met at Emily's parents house and they took us to the
airport and sent us off on Air-whatever we were on-france? And we had
such wonderful experiences cause Claude had an uncle in Paris and we
stayed in someones friend's flat and we went to the south of France and
stayed with yourEC: My brother's client, yes. And we crossed paths - so maybe students do it
still - but we crossed paths with so many Skidmore friends throughout
Europe and my kids always grown when I say this but, pre cell phones we
would say, 'okay we'll meet you next Tuesday at the fountain at three
o'clock' and we did, it worked. It wasn't, 'are you there yet? are you
coming? are you sure'. We just made these plans and ran into friends and it
was great. We had a great time.
JC: And we ran into another classmate, he was the class president, we ran into
him at the [museum name] museum? Randomly. So it was definitely
something that a lot of graduates were doing at the time. Traveling.
EC: Backpacking through Europe.
HS: You studied french, so obviously that came in handy. Was there any other
things you learned from an actual class at Skidmore or just being a
Skidmore student that you felt like prepared you for this unchartered
world?
JC: I took an art history class, I remember because I didn't know enough about
art and art history so I remember seeing some of those things we studied in
class in real life and how amazing that was. That I enjoyed, that piece. My
business piece sort of applied in the, after our travels I think.
EC: But I think just the general Skidmore feeling on campus of being open to
experiences and

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JC: that we felt comfortable doing that experience
EC: Exactly. Exactly.
HS: and what was your average Friday night like?
JC: I think usually we wouldn't leave campus until maybe 10pm. 9:30pm? and
then go downtown and find a spot to be with all of our friends. There was
the Trattoria, we remembered last night, was the three floor storied place
with music and a lot of music I think it was. Someone would DJ, sometimes
a Skiddie would be DJing.
EC: and Barclays which is no longer I think. But that was Tuesday nights I
think.
JC: That was definitely midweek. Maybe that's why it closed.
HS: Were there many nights during the week that you'd go down to these
places?
JC: Thursday nights we would
EC: Thursday nights we went to a bar, it's now called Baileys, it was the grill at
the time. I think Tuesday nights was a Barclays night, and Thursday nights
was the Grill and Friday night was wherever, or a house party. A lot of
people lived off campus our junior and senior years. But late. We definitely
stayed. And everything stayed open late. And then late night wings or
popcorn at Gaffneys
JC: There was that hotdog place that at the window, you'd walk up to a facade there was no place to sit or anything - you'd get your
EC: Cheesy fries
JC: Something
HS: And this is downtown?
EC: Downtown. I think it's next to the Tin and Lint still? Maybe it's gone, or
next to Gaffneys I don't know.

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HS: And this was going on Freshmen, sophomore, junior, senior year?
JC: I know when we first started cause the drinking age was 18, the campus life
was a little more vibrant cause you could have alcohol on campus and they
allowed you to have keg parties as long as there was an alternate beverage
offered. But I think after the drinking age changed there was definitely a
shift in how much time we spent our time on campus in the evenings.
HS: So it changed while you were in college?
JC EC: it did.
EC: It went to 21. From 18 to 21.
HS: Do you remember what year you guys were?
EC: I think it was spring of our freshmen year? Or fall of sophomore year
JC: It went to twenty. I think it went to twenty, when we were sophomores and
when we were just about to turn twenty it turned twenty-one.
HS: So what was that like being students in this place where you had all these
freedoms and then to have it crashing down?
JC: It was, we felt annoyed by that because, you're from NY, I wasn't from NY
so it was already 21 at home. But at school I was allowed to drink alcohol
and then you come back from winter break and you're no longer allowed
legal. And they didn't grandfather anyone in, maybe they did for New York
people?
EC: I don't think so because I remember thinking that it was just so wrong, and
being so irritated by that, 'how can you let us drink for 6 months and then
all of a sudden you say you can't drink anymore'.
JC: It did disrupt the feeling of the town I think and I think the town businesses
suffered as well because they couldn't let us in.
HS: Did that put any strain on your relationship with the school?
EC JC: no no

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JC: No, they just had to follow the rules, so the party size changed where - oh
yea I forgot, I was the Bud rep on campus our senior year. So we would
(laughs) - Spuds McKenzie
EC: I forgot about that
JC: You were not even born then. So there was an Annheiser Busch distributor
not far in Saratoga and I worked directly with the distributor and each party
would have to go through the rep to acquire their alcoholic beverages so I
would help them supply them with a cool, a kegerator kind of thing where
you hook up the kegs to it. So I'd go and set up the kegs and attach them all.
But in the beginning you used to have like a ten keg party and then when
the drinking age went from 20 to 21 it was down to like a four keg party
and then they stopped offering keg parties on campus after I left. But the
Spuds McKenzie thing, we had like swag we'd hand out, t-shirts. It's kind
of funny I forgot about that experience. I had to diversify didn't I, from the
horse team. I was on SGA and the Bud rep at the same time.
HS: I guess looking back if you could tell yourself one piece of advice going
forward is there anything you would have changed?
EC: Maybe the study abroad. Even though we traveled, I think that having
children who have studied abroad I think that I should've done that, but I
don't regret it. Definitely not. I made the choice, I loved Skidmore, I loved
Saratoga and wanted my four years here. Couldn't think about missing a fall
here or a spring here, even the winters ya know now I can't stand winter
but, and we got feet and feet of snow. You still do, I'm sure. But it wasn't a
big deal. So that's probably the one thing that maybe I would say, 'oh, you
should've gone to Paris'
JC: I think that I would tell myself to pay a little closer to my studies, to you
know use my time a little more wisely as a student. But also participate in

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all the school has to offer, don't miss out on both things. I think my
studying could've been better. But it was fine. It all was good.
EC: It all worked out.
HS: Great, and any last great stories you didn't get a chance to tell?
JC: I don't know, we had so many fun times together just, our other girlfriend
Claude joining us in some of the fun and being part of each-others lives is
always a fun story but I don't know if theres one specific.
EC: No, just such an intimacy that we really are family, you know I love that as
I said, we didn't have creative thought matters, but we did. It just wasn't
called that. And we didn't have hashtags but I love that hashtag Skid4Life.
Because we are Skidmore sisters and just in each-others lives because of
our experience here. Our kids are in each-others lives, our husbands. Four
of us, another girlfriend who's here at reunion and Claude, the one in
Colorado, the eight of us - with our husbands - went to Las Vegas to
celebrate our fiftieth birthdays so that was a real Skidmore reunion.
JC: And we met up with a fifth friend who lives out in that area, so that was
really fun having ten of us together and it felt like we had been together
every month but some of us haven't seen each-other in 20 years or only
every five years. So its just great.
HS: That's wonderful, well I think that just about wraps it up.

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